I decided to review the meaning of disclaimer. Disclaimers include refusing to accept responsibility, relinquishing the right to hold someone else responsible or simply denying knowledge. Although all three may apply to this column, the final definition is most pertinent because I'm trying to figure out taxes.
A very good friend ran across a remarkable book and was good enough to recommend it to me.
It’s a new year, and I’ve given up my annual resolution to do 50 pushups every morning by 7. I actually managed to maintain that one into late February a couple years ago, but I think I’ve grown more realistic recently.
We were watching the Patrick Stewart version of Dickens’ “A Christmas Carol” on Christmas Eve eve last week. Stewart, a classical Shakespearian actor, is very good as Scrooge, and I was particularly taken by his portrayal of the scene in which he’s confronted by the ghost of his old partner, Jacob Marley, “He’s been dead these seven years.”
My wife and I went to New York last week for a visit with our son and son-in-law and a chance to enjoy the glitz and bright lights of Manhattan during the Christmas season. It was grand: tickets to “LaBoheme” at the Met and the Radio City Music Hall Christmas show. We also spent a deeply moving hour or so walking the memorial park at the World Trade Center, touching the names of those lost and fighting tears at the remarkable waterfalls.
Luke Russert had a great thought in trying to assess the recent failure of the so-called “supercommittee” to reach agreement on a deficit reduction plan. He speculated that the more intransigent members of the committee may have feared “the scandal of sanity” that would surround them if they reached some kind of compromise agreement.
I watched the most recent Republican debate with interest and was taken by Newt Gingrich’s seemingly moderate, common-sense and realistic approach to the illegal immigration debate. If I heard things correctly, Gingrich said that it was neither fair nor realistic to deport illegal or undocumented aliens who have lived and worked in the country for most of their lives, often having arrived in America as children, having had no say in the matter.
The allusion to Arte Johnson’s famous line from Rowan and Martin’s “Laugh-In” featured in the headline to this column will elude almost everyone who does not have an AARP card. The NBC comedy TV show from the 1960s was infamously produced from my hometown of “beautiful downtown Burbank.” One memorable line from the show: “Did you hear about the recent earthquake that destroyed the civic center of Burbank? It did $14 damage.” Had Burbank been destroyed, the total damage would have been a little more that that, but that was a long time ago.
I recently had a second person accuse me of being reasonable in these columns. Those are damn near fightin’ words. On occasions when people mention having read a column, I reassure them that my stuff will not cause any permanent brain damage. I also find it positive and encouraging to be reminded that my thoughts do not evoke unchallenged agreement.
It might be a Zen thing; I’m certain it’s Socratic: I find my ignorance to be hopeful. I listen to “expert” commentary from right and left and try to winnow the wheat from the chaff. Despite being a nasty old leftist liberal, I recognize plenty of wheat, good whole-grain stuff, produced by smart and sensible folks on the right side of the field. I also believe in the basic human concerns embedded in the crop produced on the left side of the field. I’m convinced that the good nutrition from both sides of the field is enclosed by tons of chaff with more than enough manure to feed on, always confident I don’t have the answer.
While I was raking leaves with headphones on the other day, a verse from Paul Simon’s 1980 song “Oh, Marion” caught my attention: “The boy’s got a voice/But his words don’t connect to his eyes/He says, “Oh, but when I sing/I can hear the truth auditioning.”
Most of the poetry that speaks to me comes in the form of song lyrics. I suspect that for most of us, that is where we interact with poetry. Stephen Stills wrote “For What It’s Worth” and recorded it with Buffalo Springfield in 1967, and it’s echoing with contemporary significance.
Joe Klein called it “vomitous” in his column in the Oct. 10 issue of Time. His lead states, “Americans in the heartland are yearning for compromise, while politicians play to the haters.” The incident receiving his gastric adjective involved a woman praising Michelle Bachmann, who was a guest on a conservative Des Moines radio show. The woman, wound up in a paroxysm of outrage about the president of the United States, burst out, “I would vote for Charles Manson before this guy,” as she pledged her support for Bachmann.
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